His creative process begins with emotion. With restlessness. With a quiet tension that does not allow him to let go. There are days when a single detail refuses to feel right days spent returning, adjusting, questioning, listening. Not because it must be perfect, but because it must feel true.

He works closely with artisans who understand this sensitivity, who recognize when something is technically flawless yet emotionally empty. Together they wait for the moment when material and intention finally align.

He is drawn to materials that speak back. Ancient oak that carries time in its grain. Damascus steel marked by struggle and heat. Glass shaped by cold and pressure. These materials are not chosen, they are encountered. They mirror his own need for depth, for meaning, for permanence.

Alexander does not create to satisfy expectation. He creates for those who have felt longing, obsession, and the quiet joy of recognizing something made with care. Collectors, dreamers, and seekers who understand that true artistry is not loud t is intimate.

Each creation, whether fragrance, object, or sound, carries the same emotion:

the desire to honor what shaped us, to give form to what we feel, and to leave behind something that holds memory.

“Where others chase trends, I build relics, forged in Zürich, guided by silence, made to endure.”